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Bios
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RACHEL
PORTMAN
- Composer
British
composer Rachel Portman, known for her incredibly lush movie scores,
is creating her first opera. She is the first female composer to win
an Academy Award. Her film scores include Emma (Academy Award),
the current Nicholas Nickleby, Cider House Rules (Academy Award
and Grammy nominations), Chocolat (Academy Award and Golden
Globe nominations), The Legend of Bagger Vance, Harts War,
Only You, Marvins Room, Addicted to Love, Home Fries, Beloved,
The Joy Luck Club, and Benny and Joon, among others. An
Oxford University graduate, Ms. Portman first worked in film when
she rescored a Channel Four film called Experience Preferred But
Not Essential. More television projects followed allowing her
to work with some of the best English directors and producers of our
time, on Mike Leighs Four Days in July, Shoot to Kill, Precious
Bane, Jim Hensons Storyteller, Ethan Frome, the BAFTA award-winning
Oranges are not the Only Fruit, and The Falklands War.
One of Ms. Portmans early successes was the score for Privileged,
the movie that launched Hugh Grants career. In 1999, she won
the Flanders International Film Festival Award for Ratcatcher. In
2001, she worked with her producer husband Uberto Pasolini on the
Disney film The Emperors New Clothes and with Jonathan
Demme on the film The Truth About Charlie, which required recording
in Paris, London and New York with a variety of world musicians. Ms.
Portman lives in London with her husband and three daughters.
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FRANCESCA ZAMBELLO
-
Director
An
internationally recognized director of opera and theater, Francesca
Zambello's American debut took place at the Houston Grand Opera with
a production of Fidelio in 1984. She debuted in Europe at Teatro
la Fenice in Venice with Beatrice di Tenda in 1987 and has since staged
new productions at major theaters and opera houses in Europe and the
USA. Collaborating with outstanding artists and designers and promoting
emerging talent, she takes a special interest in new music theater
works, innovative productions, and in producing theater and opera
for wider audiences.
Ms.
Zambello has recently been awarded the Chevalier des Arts et des Lettres
by the French government for her contribution to French culture and
the Russian Federations medal for Service to Culture. Other
honors for her work include three Olivier Awards from the London Society
of Theaters for Khovanschina (English National Opera, 1994),
Billy Budd (Royal Opera House, 1995) and Paul Bunyan
(Royal Opera House, 1998). Her production of Lady in the Dark
(Royal National Theatre, 1997) received the Evening Standard Award
for Best Musical she also received the Best Company Achievement for
Paul Bunyan (1998). The French Grand Prix des Critiques was awarded
to her for Billy Budd (Paris Opera, 1997) and for War and
Peace (Paris Opera, 2000). She also was given the Critics Golden
Prize for 1999 for Best Production for Dialogues of the Carmelites
in Japan. Her production of Street Scene which played in Berlin at
the Theatre des Westens received the Palme d'Or in Germany and France
(1996). She received Seattle's Artist of the year in 1991. Her work
has also been recognized in a documentary for CBS, a profile in Time
Magazine and a documentary on French Arte TV.
Works
for the 2002-3 season include Les Troyens for the Metropolitan
Opera, Boris Godunov at the Paris Opera, a new children's piece
on The Little Prince with Oscar-winning composer Rachel Portman,
West Side Story for the floating stage in Bregenz and Aladdin:
the Musical for Disneyland. Some of her work for future seasons
include a world premiere for the Met, a return to the Bolshoi for
Fiery Angel, William Tell and Trovatore for the Bastille.
Opera
projects this past season included Menotti's Amahl and the Night
Visitors slated for transmission in December 2002 for BBC Television,
the world premiere of Therese Raquin commissioned by the Dallas Opera
and composed by Tobias Picker, Jenufa for the San Francisco Opera;
Don Giovanni at the Royal Opera House; the opening of the Bolshoi
season with Turandot, and Lady Macbeth of Mtsensk for
Opera Australia.
An
American who grew up in Europe, she speaks French, Italian, German,
and Russian. She attended Moscow University in 1976 and graduated
cum laude from Colgate University in 1978. She began her career as
an Assistant Director to the late Jean-Pierre Ponnelle. From 1984-1991
she was the Artistic Director of the Skylight Music Theater. She has
been guest professor at Harvard and Berkeley Universities. She lives
in New York and London.
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MARIA BJØRNSON
- Set and Costume Designer
The
Little Prince is the last finished project designed by the late
Maria Bjørnson who unexpectedly passed away in December. She
designed extensively for theatre, opera, and ballet and was the recipient
of several international awards. She is best known for designing Andrew
Lloyd Webers The Phantom of the Opera, for which she
won two Tony Awards, Drama Desk and two Drama Critics awards.
Her opera credits included Don Giovanni, Sleeping Beauty, Katya
Kabanova, and Der Rosenkavalier for Royal Opera House;
Macbeth at La Scala; The Rise and Fall of the City of Mahagonny
in Paris, Florence, and Genoa; Così fan tutte in Glyndebourne;
Le nozze de Figaro in Geneva; Carmen and Die Walküre
for English National Opera; The Queen of Spades for Netherlands
Opera; Werther for Opera North; Don Giovanni, Hansel and Gretel,
and Die Meistersinger for Scottish Opera, among others. Her
theater credits include The Cherry Orchard (Royal National
Theatre), Measure for Measure, The Blue Angel, Camille, Hamlet,
The Tempest, A Midsummer Nights Dream, The Way of the World
(Royal Shakespeare Company), Plenty, Phèdre, Britannicus,
The Lulu Plays, Creditors (Almeida), Cat On a Hot Tin Roof
(Lyric Shaftesbury Avenue), The Lonely Road (Old Vic),
Hedda Gabler (Duke of Yorks Theatre) and Antony and
Cleopatra (Globe Theatre). In 1999, Ms. Bjørnson was awarded
the nineteenth Franco Abbiato Prize in recognition of her contributions
to theater design. Other honors include an Olivier Award nomination
for Britannicus/Phèdre.
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NICHOLAS WRIGHT - Librettist
Nicholas Wright’s plays include Vincent in Brixton (Olivier Award for Best New Play 2003), and Mrs Klein, both at the National Theatre, in the West End and in New York; Treetops and One Fine Day at Riverside Studios; The Gorky Brigade at the Royal Court; The Crimes of Vautrin for Joint Stock; The Custom of the Country and The Desert Air for the RSC and Cressida for the Almeida in 2000. His play The Reporter opened at the National Theatre in February 2007. Adaptations: His Dark Materials, Three Sisters and John Gabriel Borkman for the National; Thérèse Raquin at Chichester and the National Theatre and Naked and Lulu at the Almeida. Screenplays include adaptations of novels by Patrick Hamilton, Doris Lessing, Josef Skvorecky, Armistead Maupin and Ford Madox Ford. He wrote the libretti for Rachel Portman’s opera The Little Prince (Houston Grand Opera, 2003) and for Jonathan Dove’s television-opera about the Apollo 11 moon landing, Man on the Moon. (Rose d’Or opera special prize 2007) His writing about the theatre includes 99 Plays, a personal view of playwriting from Aeschylus to the present day and Changing Stages, a view of British theatre in the Twentieth Century, co-written with Richard Eyre.
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